Embedded Files
advert is meant to turn you
advert is meant to turn you
//
go on have a duvet day
put it together
what have you got?
colour
like no other
welcome to the playground
life’s
good
chocolate
this week
//
I’m in love with
let me call you
sweetheart
I’ve taken Nurofen
gorgeous
price too
breaking and entering
get the London
look if I told you
but telling
life’s full of choice
the future’s bright
highly dunkable
now you can get
so strong you only
need one
//
welcome to our network
colour
expressions
it’s amazing
how do you know
which one’s which?
simple goodness
simply closer
you’ve got great taste
cleaning has dulled the shine
that’s the beauty
nobody enjoyed
cigarettes
more than
I did
but I had two strokes
//
style on skin
welcome to the spinex
spa
the new face of synis
oven baked to a golden
giorgio armani
knowing I love you
which part of fishing boats
did you not understand?
the wheel
my curly friend
you might never make
ordinary coffee again
storage couldn’t be easier
new actimel blueberry
range of phones make
the most of now
forward slash
/Sharon
the victims of
exhaustion
The work of nick-e melville has been published in magazines and websites across the world, such as www.blazevox.org/061-nm.pdf, Chapman 106, dirt, eratio, New Writing Scotland 19, One Less, Otoliths, Product 4, Saint Elizabeth Street, Sleeping Fish and xStream; with two extended features at experimental poetry website www.logolalia.com:13 poems on the Minimalist Concrete Poetry page and an alphabet sequence entitled alphabits. In 2006 a found poetry sequence Office Gnomics (Acton Press 2006) was produced and an issue of Poetry Scotland was dedicated to his poetry in 2005. Recently, one of his visual poems was solicited to illustrate an exhibition CD as part of Liverpool’s biennale 2008. He is also currently taking poetry to a wider audience with his experimental and confrontational band ShellSuit Massacre, which places found poetry next to dance music.
Copyright © 2008 by nicky melville, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author.
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