The Worked Object: Poems in Memory of Roy Fisher
David Wheatley
The Companions of Colmcille
If I never go home it is because
the tides, I have noticed, flow in one direction
only. With Viking anger the North Sea
snapped at my heels on the foreshore as I
marvelled at its circling, patterned collapse,
the golden spiral in my Euclid turning
before my eyes. When the Covenanter
who led me arrived at the city gates
he would not pay the king’s penny
to cross the bridge but stood transfixed
by those swithering waters. The road was closed,
he told me, we would have to go back.
I saw the long-beaked oystercatchers gazing
down from their nests along the flat roofs
and knew this for the place where Devenick,
Ternan and Drostan had passed before me, drawn
ever further north and east. I swore an oath
at the mercat cross to a man who answered
to the Earl of Montrose, and a prayer-book
was placed in my hand. Much later, when
the peace was won, bodies decently buried
were exhumed and despoiled, marking
an end to it all. I attempted to read the psalms
in the vernacular, but did not know
what language that was. If you throw out a hand
in the dark of the chapel a door to the bell-tower
will be there, and a view from above that promised
once, not now, to make everything clear.
1644
The Fourth Craw
i.m. Roy Fisher
I am driving the Jacobite army north from Derby.
Three craws sat upon a wa
You can go there if
you want, into that past,
all banners and ballads,
and lie in its grievance
shaped to a vacancy.
I remember the trampling
of the flag, and a horse,
legs gone, catching
its tail as it fell.
The first craw was greetin fer his maw
Assigning legs and arms
to this or that body
among the tangle
balletic tableau
I watched the sun-
light cross the valley
implacable but gilding
our profiles fondly
as we took flight.
The second craw fell and broke his jaw
Living that high up
said the woman in the courtyard
holding my reins and
gesturing over the hills
anywhere else must
feel like a come-down
so many worlds
of patient neglect
stored up for our
return and whose
forgiveness
won’t come cheap.
The third craw couldna flee awa
Following by night
the ginnels and shambles of Leeds
as though a blind man should trace
with his fingers the features
of a child’s face
we came to the North
good enough to have
stayed where we left it
And the fourth craw wasna there at aa
the ways closed over
behind us and all manner
of joyous lament finding
its proper dark at last.
David Wheatley is a poet and critic at the University of Aberdeen. David’s latest book, Child Ballad (Carcanet, 2023) explores a world transformed by the experience of parenthood. Child Ballad was a Poetry Book Society Recommendation and a Sunday Times Poetry Book of the Year. David is the author of six collections of poetry and a novel and he co-edited with Ailbhe Darcy The Cambridge History of Irish Women’s Poetry (Cambridge University Press, 2021). He has also published widely in the fields of twentieth-century and contemporary poetry, Irish literature and Samuel Beckett. David is now writing a novel about a woman who lives between the walls of a Scottish castle and thinks she is Bonnie Prince Charlie.
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