Issue 31: Simon Perril
from 45 DAYS IN THE COMPANY OF ROBERT WALSER
2.
Kindly mark us, Robert, the very small
as we are trained; and walk with me
down the linoleum corridors
of the New Institute Benjamenta,
over crunchy, cross-hatched carpets.
Lights flicker in the lecture theatre
winking and synching
a dance of performance indicators
extra-terrestrial at play
across the ceiling; so
we quanta settle into the subject,
learn the sub-atomic servitude
of working life misbehaves
under the right conditions.
9.
Robert, last night
I watched my own sleep
become a curled caesura tadpole
tax the box of my body
and forge a lyric tract
in tremble there
sorting the shadows
into self-portraits
all black
suspended
on the cool glass
of a microscope slide
16.
Oh Robert, have you read
the Fungible Times headlines
this morning? They throb
then spurt like a provoked jugular.
Hammer-style the horrors
bubble in quicksand, some
demonic porridge we’re stirred in
comes to the boil
— and is served at the Institute.
We fatten, fed our own husks.
The leviathan of capital
bolts us, yet doesn’t spit
out the bones; rather,
trades us: scrimshaw.
24.
I confide, Robert,
that I woke late, determined
to put the day on backwards
surprise it, catch it out,
ape its loping gait
from behind
understudying Peter Schlemihl
shrugging off his shadow
in a pact with the purse
of Fortunatus.
The lecture today
said nothing about allegory
yet considered a role profile
for a new category of stone.
33.
The Institute, Robert, excels
in persuading us you were right
to extol the virtues of ash
as we disappear here
happily take flight
blown from the Palace
zeros expelled
by mocking shapes
a mouth makes in calculation.
We have no recall
of the dialogue between fire
and wood that reduced us
to a smudge
nudged away
with the frivolity of dust
to nest in kinship
underneath the words
achieving nothing
Simon Perril is a poet and collagist. His poetry publications include The Slip (Shearsman, 2020), In the Final Year of my 40s (Shearsman, 2018), Beneath (Shearsman, 2015) Archilochus on the Moon (Shearsman, 2013), Newton’s Splinter (Open House, 2012), Nitrate (Salt, 2010), A Clutch of Odes (Oystercatcher, 2009), and Hearing is Itself Suddenly a Kind of Singing (Salt, 2004).
As a critic he has written widely on contemporary poetry, editing The Salt Companion to John James, and Tending the Vortex: The Works of Brian Catling. His article ‘On Metis: Or, what the Squid and the Octopus taught me about Practice Research’, appeared in Writing In Practice 7, 2021. He is Professor of Poetic Practice at De Montfort University, in Leicester. You can see Simon give an online reading/talk with accompanying visuals here: youtube.com/watch?v=bJoI30MzLGs
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