Issue 31: John Wilkinson
Wax Originals
1.
My hoop encloses both a cat and a jackal;
its breadth, how is that, longed-for child,
clasps in one expression next to kitschy
pink walls, the genes of its feral hostages;
but held too in the circle of its fierce event,
summons up Ramallah, its bazaar, Lhasa,
kids with machine guns, cursive alphabets
confined to their ghetto – tightens a scroll
to only nanometres’ tolerance, obliterates
my verses, soaks in high-grade aero fuel.
My heart fills with flesh gagging on itself.
For it to settle flush I have to be cleansed.
A platform blade shunts this scenery off-
limits like a ploughshare would, squirrel
teeth chatter with excitement as its walls
collapse, no more than a stack of siding;
behind, sodium lights dim like East Berlin
behind the Wall before the Wall crumbled,
little casements tile a throwback scenario
where gracious elderly women took tea.
Now on the cleared site I watch merchants
busy about their stock, inlaying skulls
in turquoise, plugging vacant sockets with
obsidian. A smoking mirror finds a signal,
and in a pool of bitumen dim stars dangle.
Where are you, blasted from black skies,
final residents, shivering in puffer coats,
buried under brick rubble, turned inward?
2.
Consciousness exudes from a wax head
its carriers, paragraphing out of forms
stacked to compose its termite brainpan:
fine margins between cavities, sustained,
ensure a message noiselessly transmits
the lines of cold code once assembled.
Gouge inserts from their beds, syringe
error, strip away their flaps and spillage,
let their wax solidify under hot stamps,
their pus ooze, congeal a face you know
now unmasking what had lurked behind.
Wax firms up for null cells, home base
for paper wasps’ formation; its thinking
chews through title deeds and securities,
hardening the pulp to welts of duress
curled on flagstones in a future far court,
bloody but their lines look neat enough.
Flame leaps in sockets, guncotton wicks
gutter melting wax; sculpted forerunners
lording it from plinths, acclaim brands
above slavers, fur traders, tea merchants,
ship-shape and Bristol-fashion navigators.
This is ground truth for such as long
enjoy a free ride in a sweet disavowal
spattered over screens of insect dolour;
solenoid shock treatment, knife’s edge,
shunts the coders off camera but active,
deathly white crawling over a wax tablet.
3.
Into the horizon hoop starlight spits in,
contorted below the pressing sky, carriers,
like a struggling wasp flees my brain,
transmit blight to bloom, the blemishes
to fruit that swing in a windless orchard;
not here will flies foot their mute poison,
but tangle in their miscreance, false-
flag addresses snarl them in the web, by-
pass those ovaries alert for dabs of genetic
uptake. Pick out the proxy serried combs,
internal switches, track rendition paths
off-radar, root a heat sump for memory;
surrendered to the moment, bodies waste,
wretchedly cold, any warmth not sold
for food and drugs, stinks in shell suits.
Tattoos on brittle skin rolled in cylinders
retreat to the caves where they will leak
retained love; like rods of unspent fuel
set in lead, their emanations leave no trace
across the sky, no trace but invisible scars –
no neat metaphor to offer a legible path,
but actual scars. In their tortuous furrows,
dibbled seeds mutate, at once in motion
and confined to lines that now suppurate
excess information. The point of all this,
tips fitted onto heat-seeking missiles,
reaches for the heights; then the linguistic
archive chewed over, plunges into ruin.
4.
Plunging, the orb drains a status colour,
blanking out. Its backwash scatters the full
spectrum in this asphalt pond, where I
take my time reflected, a target for code
worming through the skynet. Supplied
personnel flare and fade, none either lives
or perishes. Our circle of light has failed,
O imagined child, its splinters stinging
the unhomed; once the lamp is shattered,
surface oil swirls threads of colour, laps
at my ankles, its mirror shows no heights
to shave a scalp on, I’m pastured in tar.
Amidst hissing stars, an outline flickers,
reassembles, taunts all seekers after God;
their kisses will erase enamelled icons,
bulbs of wax clump randomly. Devotees
pass headless plinths on disfigured feet,
there is laughter at the base as nails pierce;
in trees’ thinning stands, each naked tree
weeps capsules, each a single specimen
whose shoots split the hoops of memory.
I will re-fledge in fans of finger bones,
nails that outlive. With one climactic blow,
trumpet of a thigh bone proclaims my
immune wastage, fated self-absorption.
But feel my arm flex, hear its joints rattle,
find humanity to cling to, in this amber
sheet of vellum, thick as a mummy’s hand.
John Wilkinson’s most recent books of poetry are Wood Circle (The Last Books) and Fugue State (Shearsman). His lacunal memoir/poetics Colours Nailed to the Mast will be published by Shearsman in 2024. Thanks are due to Clare Hall, Cambridge, for a visiting fellowship when ‘Wax Originals’ was written.
Copyright © 2023 by John Wilkinson, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author