Issue 31: Mark Byers
late spring (east wood)
i
late era of the hellebore
& the upstart crocus –
yellow scales sheathing
the perimeter wall –
the common technics
of the catkin & the con-
voluted fungi – (enough
is enough…) – moss
in the tumbled stones
where a fir leans
against its categories –
marbled cloud-forms
behind a screen of trees:
ii
listening to the crow’s
disassembled
lyric
iii
& Rhododendron hybrids
arch-Victoriana
their bony syntax
spreading
in the understory
roots in the acid loam
of Sichuan
Gavrinis
restring the lyric’s torque and jabber
to the guillemots’ angles mort –
a beeline around the menhir
where the angle of sight
takes in the oak over the cairn
its tablets engraved
with croziers, zigzags,
aurochs and whales –
while the boat struggles out in the passage
from subject to object
and the cased wings of the cricket
are the granite lines
carved with tools of quartz –
a rough crossing, un-
navigable in places
between the still and the stilled island
currents –
Points Bridge (25 April 2023, notation 4)
the sand martins are beside themselves again —
saltimbanque & antic
neither here nor there
manoeuvring between struts of wrought-iron
to flit & fret :
call it exhibitioning —
& below them the red campion & the lungwort :
the indefensible
ethics of the leaf litter :
pollen & bone meal :
the mini-demesne of the nematode
crossing dandelion country
on our predictable wayward course
Dunstanburgh 12.2.23
the anvil of the song thrush
the shallow arc of the tern ::
butter-yellow gorse
embers by the jamb’s
clutter of snail debris
who is it that sees through the marsh-grass
& sea-holly ::
the bladderwrack & underfoot amber periwinkle
not me –
:: a difficult observer
saying the language of the lyric
is set to autofill
abstruser speech
:: a blunt instrument
this vocabulary of salt & weathered stone
Mark Byers teaches at Newcastle University and lives in Northumberland. His first book was Charles Olson and American Modernism: The Practice of the Self (OUP 2018). Other recent ‘notation’ poems are forthcoming in Shearsman Magazine.
Copyright © 2023 by Mark Byers, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author