The Worked Object: Poems in Memory of Roy Fisher
Gavin Selerie
Early Marks
I first heard you on paper, a Fulcrum ghost
in Parker’s on the Broad
nobody attended and I took an hour packed
to move through the lines
fluid in take
a little face
distant
at the long jubilee table
bunting hung out
as the king calls ‘be a useful citizen’
I was the learning hand, like you somehow left
with smiles and the odd glare
in grainy toyland
but the longhair climate gave means
to feel oblique
the things how they come
a gash in brick
a stream beneath
local-placed and sliding in different nows
a film or canvas foreign with jump cuts
At Warwick eleven years on your voice alive
brought that obligation to bear
in ‘most of an unpublished and could be
as-yet-unwritten poem’
a score for objects
less of a game
in the prism
it was a chart to put my footprint
back in
gold remembered in a stain of porcelain
A few months later, upstairs at The Three Horseshoes
after a riot of I Can’t Give You Anything But Love
finding corners through the obvious
beneath Nuttall’s cornet
you had the audience in fits
reporting your engagement and missed contact
with Avis Tree, researcher
text spun to identity theft
while inside the laugh was a struggle
to reach exactly across the gap
Published Late Poems (Shearsman, 2024)
Gavin Selerie died at the age of 73 in June 2023. Late Poems was published by Shearsman in July 2024. His 1968 memoir Edges of Memory is forthcoming. Born in 1949, Selerie published a wide range of poetic works, including Azimuth (1984), Roxy (1996), Le Fanu’s Ghost (2006), and Hariot Double (2016). He was well-known as a performance poet, and collaborated on Days of 49 (1999) with his friend the poet and artist Alan Halsey. He is also known for his interviews with and critical essays on contemporary poets. Shape-Shifter (Shearsman, 2022) is a festschrift curated by David Annwn. He donated his archive to the library of Lincoln College, Oxford, where it is already being used for academic purposes.
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