Issue 30: Alan Weadick
At the Hub
The hour allows you
the full measure
of your ignorance
a gift given freely
and indifferently
as any other
natural disaster.
Only luck has you
standing square
this time, for a change,
hands chancing
to unfurl in readiness
risking a prolonged
leave-taking
with the notion
that this patch
of the city’s grid
has been visited
by more than one
mind’s delight
at imagining itself
in this darkened office
with other figures
in silhouette
against the exterior
non-critical
lighting, in an episode
that may never
be repeated, a location
left to rot
by the end-credit
noise of numbers
as bodies rush
obediently toward
other bodies
with a sighing
it takes an age
to recognise
as their own
the many-legged
caress of a fake
lawn growing
the softest
of sodium
wings.
Exercise
This is just to prevent me falling
into The Error of the Thirty Two Views
of one screen too many,
each with its own dog to be walked
around the sloughs of inertia
without once wetting my nose, a killer
if you’ve got X amount of work
to hand over to a heavenly
watcher in the woods
where it’s all go still despite
recent poor attendances,
the definite article
for a first person singular
to get lost in, a thief
hungering to be caught
since the law first stood up
on its hind legs.
This is just not bothering
your heavy duty self
with emissions, roundelays
and bottled tries for an acceptable
slice of grandeur, all under
the one tin roof.
Outside, it seems
there is a village, after all;
beginning just now to stir
in this last first light
recalling the neat trick
of inducing terror at the look
of teeth, a quickening of the breath
with the noise of too much hair
(All this before the livestock
developed their actors’
voices and all the daytime
shows began to revolve
around the fridge)
That sweat you wake in,
after dreaming you’ve lost your phone,
is in your blood and your grandmother
now wants the tears she shed for you back.
Back to School
1. Three Rock
A stranger’s hands reaching
under a low full moon
for an opening
in her thrown shadows
the promised interior
no closer now
than when we started out
that first September.
Still no way of knowing
if that round face always
was so mournful or if
our weathering made it so.
Survival alone is certain
stalemate, a clearing of the throat
in a family room
between first and last words
stepping outside for a time
to drink in the particular,
dark matter and all.
In the sway of the small hours
that clinking over at the bottle bank
a meagre sign of life
not yet past caring
but not quite what we had in mind
when we lit out that first evening
for the high ground
eyes raised to what lay beyond
those masts up at Three Rock
besides armfuls of heather,
craters of cooling shade.
2. Day One
The end of summer strikes
an unfair blow
on a distant bell
that no one is alarmed by
or monitors-
signalling not intruders
only a return
to the fray
that might be schooling.
We are at peace now
with the landscapes
that wouldn’t stay still
or be fingerprinted
but are now at least
on file under “Ether”.
Likewise with the beasts
of the field
left to compete
for airtime
with the wind turbines
as we exchange
their unnerving stares
for the somehow
more manageable march
of the head lice.
Alan Weadick has had poems most recently published in Skylight 47, Cyphers, The Stony Thursday Book and the Culture Matters anthology Cry of the Poor. He was among the winners of the 2021 Bread and Roses poetry competition and was the winner of the 2020 Mairtin Crawford/Belfast Book Festival award for poetry. He lives in Dublin.
Copyright © 2023 by Alan Weadick, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author