Issue 30:
in memoriam Catherine Vidler
The striped world
The striped world flexes through venetian blinds ::
I blink & tremble :: then I self-subdue ::
The fruit bowl advertises its sweet kinds ::
I turn away & dive into the blue
which beckons me :: a sea-creature-askew
asks for directions :: which I can’t produce ::
My mind is reeling :: feelings overdue ::
Apologies :: it seems I am no use ::
Forgiveness somewhere hides like a recluse ::
The wandering is feral :: weeds & fish ::
With sensitised awareness :: heightened sight ::
I see you there :: somewhere amongst :: I wish
then wish again :: constrained as a brief kite
acrobatting in high winds :: colour-bright ::
My eyes begin to close :: just so :: just so ::
Thoughts gleam & slip like rawly fresh egg-white ::
A question :: how far back must the brain go
to find its answer :: shivering in snow ::
dots of light
dots of light up &
down a wall :: breeze shifts on skin ::
changes direction
unfurling flower ::
its moist centre under sun ::
petals travelling
planets swarm :: recede ::
tickets everywhere are cheap ::
your turquoise iris
slight slapping of blinds ::
lazy day in fragrant shade ::
this brilliant sky
oasis gleaming
with component parts (which shine) ::
I query (again)
::
surprise in a box
in a box a surprise in
a surprise a box
jolly greetings :: or
similar :: the air is keen
with particles (see?)
pinned to the thick dooor ::
a rose in rainbow :: & so
it goes :: noiseless :: sweet
birds twitter against
a current of air :: feathers
in readiness (for?)
I ask a question ::
the question is quite patient ::
‘however’ :: it says
a stop sign traces
its well-worn edges :: singing
softly of self-touch
whenever I get
like this I remember when
ever I wasn’t
::
seclusion :: seaweed ::
you & me :: swimming along-
side :: the shape of it
slits of light :: insects
thrumming :: the season settles
in :: for the long ride
night opens its coat ::
the stars are a recklessness ::
(arguably so)
especially on
days like this :: or that :: (or both) ::
especially both
blouse trembling over
a heartbeat :: the paint-box waits ::
its wandering brush
foils of cloud
foils of cloud :: wing-flutter in the head ::
a carved out sea :: dust-motes in this simple light
composing itself across several lines :: in bed
with the covers drawn :: an animal :: a slight
fever on its wits :: confusing matters :: quiet blur
of dreams in exceptional number :: the dials
are spinning :: glossy & ecstatic :: wires
crossed & crossed again :: with him or her
or perhaps both of these :: on the shelf :: vials ::
violent with colour :: arguably medicinal :: fires
which burn anaerobically :: helicopter sounds
in the pent-up air :: New Year’s Eve on our tails ::
the garden is cornered :: a-burst with mounds
of churned up soil :: we sit amongst :: the tv wails
& winces :: clarities papered-over :: re-invented :: then
lost :: mould self-converses in a popular spot ::
the walls otherwise almost entirely blank ::
waiting to be scrawled upon :: where & when ::
there once was a wound :: moving clot to clot ::
there once was a boat but it invariably sank ::
hiding in the broom cupboard :: alien to a broom ::
an alternative tool :: primarily verbal :: it introduces
itself to the pungent darkness :: there’s no room
for a difference of opinion here :: enough said :: fuses
wait on the sidelines :: dry as bone :: in a paperweight
a story :: repeating itself to the point of :: displayed
from all angles :: whistle in the eaves :: a bird’s nest
crackling next to a window :: before the creak :: the gate
swinging haphazard :: tries to shake the story off :: wade
into the ocean instead :: it implores :: forget the rest
of what I was about to say :: birdsong squeezes its cloth
& relaxes :: late morning sun as dull as an old coin ::
the sky crying out for some decent conversation :: a sloth
waves goodbye and not without gratitude :: the join
is imperfect :: which carries the usual consequences ::
plates which spin improbably have the least to say
or at least that’s how it seems :: maps unfurling
at an unprecedented rate :: palings refusing their fences ::
at most for the foreseeable :: an incredible array
of butterflies hovers above the field :: a curling
of cloud further above :: dreams mature like fog on glass ::
the interpretation couldn’t be more relevant than it is
as the whole thing turns to tears by the wayside :: a fuss
of sound makes small trouble in the corner :: a bus-
ness of ferrets conducts ardent negotiations under
a strawberry mooon :: a clock continues its press-ups ::
and it isn’t long before the rest of us are joining in ::
exuberant music encroaching :: a crowning wonder
of evening stars afloat :: planets playing dress-ups ::
as New Year freshens itself :: where on earth to begin
pressed to the wall :: as litter blows
ode
pressed to the wall :: as litter blows
& settles :: there :: moon bows ::
a water feature ::
lolling silence :: you create your
sweet picture :: subtle lines ::
o wind which moans
I travelled to a seamless land ::
resided there :: a frond
tickling my cheek
until I woke :: was wide awake
then woke again :: the dawn
birds' song-serene
palinode
released into a barren space ::
all restless here :: sun's hoist ::
a side-lined drought
rung in your ears :: an un-drawn thought ::
erasure’s sour shape ::
o breathless pipe
remained I in the fraying town
& roamed there :: ferns ungrown ::
my untouched face
until I slept :: the deep dreams' rise ::
I slept again :: the night
birds' chafe & grate
detritus blocks the autumn stream
detritus blocks the autumn stream :: palely
sunlight :: tripping & clasping [ bleak fancy ]
cakes teeter on extraordinary display ::
customers gaze :: salivate [ treat fancy ]
a fantasy slides sideways through the room ::
collides with a chair [ impeded fancy ]
night opens its cloak :: envelopes the field ::
he whispers :: her earlobe burns [ sweet fancy ]
a letter out of alphabetical
order re-inserts itself [ sleek fancy ]
ccc tests the temperature :: enters
the lake :: exits:: again [ repeat fancy ]
smooth concrete :: interrupted
smooth concrete :: interrupted :: dappled shade
which shudders in this cheeky breeze :: the heat
is to be reckoned with :: at home :: unmade
the bed :: its disarray forgotten :: feet
to the ground :: furthering :: a timely seat
amongst these flowers :: contemplate :: the sky
outdoes itself with cloudlessnesss :: repeat
then carry on :: that old tree :: resting :: spry
I venture forth :: of course I could have stayed
beneath that tree :: its picturesque :: its feat
of age :: a time when mind was sweet-unfrayed
but rose I did :: continued :: grasses meet
my gaze :: a-flutter with butterflies :: treat-
ing me :: I linger :: let them fill my liquid eye ::
then :: seeking seaward :: the enthused heartbeat
which carries on :: that old tree :: resting :: spry
I lie down :: my abandon :: music played
within my limbs :: the mind cannot compete
nor does it wish to :: seeings swell and fade ::
small headland :: rocky outcrop :: and a sheet
of translucent cloud :: joyous glands secret-
ing as a seabird clasps me in its fly ::
eventually returning to the street ::
carrying on :: that old tree :: resting :: spry
then homeward to sweet calls of lorikeet
by contrast with my cumbersome tongue-tie ::
evening comes :: the moon is so petite
above that old tree’s carriage :: resting :: spry
evening birds cluster & thrill the air
evening birds cluster & thrill the air ::
interior escape is pending :: still ::
distractions loom :: receding :: one swallows
shallowly :: then once again :: taking care
to pace the room :: with or against the will ::
the landscape difficult :: hills & hollows
have their own voices :: echoing :: the mind
responds by nature :: questions dip & fly ::
lie down :: just briefly :: obscured by the grass ::
its blades and sprays are many :: you won’t find
the answers here :: the soil is broken :: dry ::
so rise :: brush down your clothes with little fuss
or fluster :: resuming the modest route ::
from wall to wall & back :: a shoreline tree
bears elaborate fruit :: it’s not like you
to eat it :: but there you go :: like a brute
you’re gorging now :: tasting the hasty sea
inside a potent core :: altered the view
as you inward turn :: creatures arrive :: fast
& fertile :: eyes fluttering beneath lids ::
all gills & fins & silver scales :: under
a sky nested with cloud :: future & past
a ditty sung :: harmonious :: light flits
& flashes :: steady comes this soft thunder
a truck passes
a truck passes :: then relative silence ::
as disparate items agitate & settle ::
the worm farm is hot & fresh with lime ::
what time is it inside that darkness ::
text shifts to diagonal :: it’s not simple
to read :: I internalise its smoky rhyme ::
minutes pass & comprehension starts
to exhale :: I decline :: in an adventurous
tone :: re-alignment :: then wait :: a river
stone :: cold beneath the throttling water
for many hours :: days perhaps :: the sky
torn up with cloud :: the air a crisp shiver ::
an existence welcoming of touch I feel
for the bedclothes & pull them up :: my
shape so easy to confuse :: the venetian
blinds are nothing if not semi-vigilant ::
a lawnmower drones in the background ::
my head lolls :: partial :: to completion ::
the dozing has begun :: sweet beneath
various aircraft :: under the rooms above ::
what pictures will come :: I hold my hands
in tender expectation :: as the clock slides
sideways then back again :: the wet light is
nimble inside my thirsty eyelids :: it stands
& twirls across this fantasy’s shifting sands
a territory-unknown
Slid fast into a territory-unknown,
the looking-glass warping & weaving its way,
unfettered mouth, enchanted touch-stone,
lengthwise approaching, the end of the day
was on all creatures, of wild sea, untamed land,
swift colour-wheel spinning its breathlessness-sweet,
these open ears could not understand,
closed, these eyes saw a column of concrete,
shimmering here, there, with an exquisite thrum,
wrapped up in divine threads of music & song,
dropped me to ground, my breath became hum,
time dilly-dallied both shortly, & long,
till moonlight made magic of water & soil,
I slept for some hours, anonymously,
the dreaming as seamless as a fragrant oil,
scent-in-release, impressive, but tenderly
like a cloud
separation of a previously unified object, like a cloud,
or perhaps the opposite, a vaporous reconciliation
of sorts, my hands still shaking like leaves on street-
trees outside the aged care facility, the murmur of
cars diminishing as I play the same scale till it hurts
a bit less, then cease, so what is left in an ensuing
silence beyond the memory of sound, I don’t ask the question, nor wish for an answer, but the cabbage
garden is approaching its prime, I’ll settle for that
the screen glows and sucks, a white hole hungry for
the middle of the night, I am eating apricots which is
code for nothing special, however the lingering of the
stone’s a discrete event, so may I sit by you in a place
of your choosing, perhaps on a vintage carousel with
its postured creatures and carriages, perhaps against
a wall on an ancient street, any which way the mirror
is exhausted with clutter, it yawns but remains erect &
cognisant, I remove some objects to relieve its burden
how many birds are responsible for these current cries,
the intricate detail like fast calligraphy, stop and start,
I chew my gum in lieu of speaking, close my eyes in lieu
of chewing, it is finally midnight, but there are no stars,
only sombre cloud and a moonflower, gently opening
an apple falls :: in extremis
an apple falls :: in extremis :: to the ground ::
light follows it tenderly ::
you notice it too :: like a soft animal ::
minor the disturbance :: a bell sings its sound ::
long flower-stems slenderly
shivering :: air cloudless :: white noise minimal ::
thoughts exposing frankly to subliminal ::
a television stoops & wheezes away
throughout the reluctant day ::
he is here he is there you are witnessing
this :: accentuated locale-liminal ::
desire a courteous matter :: with each way
articulating new shapelinesses :: stay
focussed :: the relevant senses grimacing
at splinters of glass :: there is such richness in
them :: shadows strut their attitudes on the walls
then disperse :: disappointed
you shift your gaze to your lower body :: still
under pressure from itself :: which also calls
& cries :: your limbs appointed
to their discrete duties :: outside a quiet trill
of birds :: the question becomes itself :: how will
you travel through such dense terrain :: sunlight seeps
steadily :: the hot eye weeps
at the pace of it all :: or nothing :: these caked
footprints in sand :: re-iterated :: they fill
available space :: elsewhere a cornfield sleeps ::
sweet dreams teasing things into relief:: it keeps
changing though :: the picture :: the story :: then wake-
fulness :: turn on the light :: procure the old rake
and start your sweeping :: from A to B :: C :: D ::
the bedspread’s pattern repeats
itself soothingly :: your eyes flitting inside
the skull :: there is much work to be done :: the sea
brims distantly with its treats ::
white-caps making tiny salutes as they ride
the currents :: a bottle washes up beachside ::
message-less amongst the bleached debris :: brief swells
of breeze cross :: bringing sharp chills ::
rockpools shine :: multiply :: in the headiness
of day might he come here :: depending on tide
levels :: to visit these salty :: complex cellls
seething with bright weed :: crustaceans casting spells ::
feet cool to touch :: hands open in readiness
for weather :: you start to spin :: dare giddiness
to drop you to the ground :: does he see you there
amongst fallen fruit & grass
singing against the flow of melancholy
tunes :: aromas punctuate the air with their
uniquenesses :: more or less
poignant :: do not lose control of your trolley
whilst attempting your first true roly-poly
& not just in the mind :: a cloud splits its side
at the sight of you :: your ride
to the base of things unencumbered :: sort of ::
you lift your head :: peer around :: this was solely
recreational :: & something more :: the slide
& slip of it :: dizziness :: go back inside
& make your reflections :: await the sweet dove
which daily arrives at your rooftop :: above
the bird soon materialises :: below
the surface worms churn the soil ::
flagrant petals flare from hot summer flowers ::
there’s inadequate time to go with the flow
but short-cuts exact their toil ::
you purchase a clock & dispute of its hours
till sleep comes like a crescendo :: its powers
absolute :: but only temporarily ::
sweet-mutely & merrily ::
you slumber deep beneath a time-wrangled shrub
through sunshine and some significant showers
before rousing to dusk :: its outlines barely
there :: refreshed to the point of it all :: curly
clouds shifting across the nonchalant moon :: rubbed
stars apparent :: long roads droning with cars :: nub
of night encroaching :: your eyes widen :: their gloss
switching between stimuli :: where are you now ::
arms stroking the cool air :: how
will you endure this darkness :: a firefly
trembles at waist level :: you let out a sigh
and drop back to the ground :: caught by softest moss ::
from afar a cat releases its meow ::
in the abstract world you make a little bow
& start walking :: somewhere remote :: yet close by
XIV
Sheet lightning skips between
purplish cloud.
I walk on uneven ground,
my spine singing
a painful tune.
It is not late in the day,
but all the clocks
are dozing.
Inside, the heater rattles
by the bed, awaiting
my return.
Sodden leaf-stars
adorn the pavement.
I avoid slipping, but only just.
Catherine Vidler, poet, graphic artist, living and working in Sydney, Australia, died this year after a long struggle with cancer. She published chapbooks in Australia, and poems in literary magazines in Australia, New Zealand, the US and the UK. Catherine was editor of trans-Tasman literary magazine Snorkel. Her first books, Cloud Theory and Furious Triangle were published by Puncher & Wattmann in 2007 and 2011. Canberra Poems was published by Ginninderra Press in 2016. Chaingrass was published by STALE OBJECTS dePRESS in October 2016: a chapbook of 28 visual poems, it was made out of and in response to 'chaingrass', a word from Bill Manhire's poem 'Falseweed'. Further chaingrass work appeared in The New Post literate, Otoliths, SCRIPTjr.nl, RENEGADE. This was followed by chaingrass errata slips (SOd press, 2017), chaingrass night and unresolved chaingrass tiling (SOd press, 2017). Her lost sonnet series featured in 78 composite lost sonnets (Hesterglock Prote(s)xt, 2018), Lost Sonnets (Timglaset, 2018), collected composite lost sonnets (SOd press, 2018), lost sonnets (Spacecraft Press, 2018), and the table set series in 2017 – table sets (no press, 2017), lake labyl (Penteract Press, 2017), table set poems (Penteract Press, 2017), table set poems (Spacecraft Press, 2017), lake labyl (SOd press, 2017). Keyboards: 14 poems for Tom Jenks came out in 2019 with The Blasted Tree. Her wings collection appeared with Cordite books in 2021. Her collaboration with Tom Jenks, the pangrammatic novel pack my box with five dozen liquor jugs, came out with Penteract Press in 2021.
Copyright © 2023 by Catherine Vidler, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author.