Issue 30: Iain Britton

Enclosed in Parenthesis — (ghosting)

 

I

 

time resonates an ecology of substance

 

to be viewed  

 

from a night of white flowers ghosting through dreams

 

 

change is taking off one’s clothes is putting them on

 

 

is living between mirrors feeling pulses

temperatures     passion’s brief journey its lap

 

of honour i swallow a deity’s breath  living off

 

its radiance   its brightly-lit interpretation of earth talk

 

 

i’m part of the uncontaminated kiss

 

 

 

 

 

 

 

II

 

a youthfulness is played out 

                a garland of static reverie

complements this girl’s fulfilment 

 

 

a wind shift

 

 

threatens the nature of small freesias

 

growing in the brushed lines of her hair in the exposed  

 

fluctuations of who she might be a mother

 

& child clasped together

 

 

 

 

 

 

 

III

 

cloaked in colour        beyond

 

the touch of hands       beyond poetry

 

breeders & priests      i feel deeply the prize

 

of her own perfection      smooth

 

 

like a large exaggerated peach unblemished

by fingers licked at by rain   by family intrusiveness

 

quilted into the soft cladding of her clothes    

 

i acknowledge

 

the love child of a Piscean birth

 

 

 

 

 

 

 

IV

 

a magnolia’s deformity attracts love’s obstinacy

 

not to walk away     but to reflect on 

 

the transformative nature of spring’s wild branches     

 

of birds newly-hatched   newly-ruffled & scampering away

 

to ceremonies of survival

 

 

 

 

 

 

 

V

 

venerated by generations youths dive for coins

 

plunge amongst bubble chains

 

where fish hang deep & curious       the river captures

 

nerves in clouds   a school choir passes

 

 

& i agitate the water’s surface

 

                                   a glitz of sunlight somersaults

 

i rake my fingers amongst islands of fern

 

picking up scaly flakes from a peeled-off season

 

 

 

 

 

 

 

VI

 

later i explore a composite entity hunched up      crowded

 

but never alone

the girl lives on music in the blood        she 

 

leans against her cello  her cello feels for her hands

 

she steps silently into the circumference of a sound

 

 

 

 

 

 

 

VII

 

curative properties indulge themselves

 

              entering furtively        i look at

this peristaltic flow of exposure

 

i look at the moon hooked to a branch

 

it claims affinity     it swings       it swivels      

 

& the whole tree lights up a shadow slithers

 

ripe for the picking   it coils around the girl’s arm

 

nudges at her face paints her lips green

 

then disappears

 

into the moon’s mouth   shining wet & sipping

 

 

 

 

 

 

 

VIII

 

            mirrored in images    

 

the sky grips the earth’s back

 

grips its skin      & sinks into a deep blue stillness

 

hugs multiple streams     rocks     hills

 

it contracts & suddenly

 

arching night colours

 

     reshape the gravitational pull

 

 

 

 

 

 

 

IX

 

          to know the girl

 

her body   her fingerprints on books on vases 

 

on my everyday living   time’s

 

corrosive features seem tangible enough i touch

 

 

the phantom of a picture

the blurred white outline

 

of a future

 

the widening soundshell of the universe

 

 

it holds a collective calling 

 

the immediacy of her body in mine     our youth

 

walking on mirages of water

 

 

 

 

 

 

 

X

 

appropriation speaks of love-taking

 

of landscape-taking

 

 

& a sky full of balloons   & what

 

becomes of them       these balloons some are snagged by fissures

in clouds   some are dragging their strings

 

across paddocks & the girl trapped in her own astral orbit

 

                           rolls herself in liquid gold

Iain Britton is an Aotearoa New Zealand poet and author of several poetry collections. His work has been nominated for a Forward Prize for Best Single Poem and Best First Collection. Poems have been published or are forthcoming in Harvard Review, Poetry, The New York Times, Wild Court, Blackbox Manifold, The Scores Journal, Stand, Agenda, New Statesman, Poetry Birmingham and Poetry Wales. The Intaglio Poems was published by Hesterglock Press in 2017. A new chapbook, Project Constellation, was launched in London by Sampson Low in 2022. 


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