Issue 30: Iain Britton
Enclosed in Parenthesis — (ghosting)
I
time resonates an ecology of substance
to be viewed
from a night of white flowers ghosting through dreams
change is taking off one’s clothes is putting them on
is living between mirrors feeling pulses
temperatures passion’s brief journey its lap
of honour i swallow a deity’s breath living off
its radiance its brightly-lit interpretation of earth talk
i’m part of the uncontaminated kiss
II
a youthfulness is played out
a garland of static reverie
complements this girl’s fulfilment
a wind shift
threatens the nature of small freesias
growing in the brushed lines of her hair in the exposed
fluctuations of who she might be a mother
& child clasped together
III
cloaked in colour beyond
the touch of hands beyond poetry
breeders & priests i feel deeply the prize
of her own perfection smooth
like a large exaggerated peach unblemished
by fingers licked at by rain by family intrusiveness
quilted into the soft cladding of her clothes
i acknowledge
the love child of a Piscean birth
IV
a magnolia’s deformity attracts love’s obstinacy
not to walk away but to reflect on
the transformative nature of spring’s wild branches
of birds newly-hatched newly-ruffled & scampering away
to ceremonies of survival
V
venerated by generations youths dive for coins
plunge amongst bubble chains
where fish hang deep & curious the river captures
nerves in clouds a school choir passes
& i agitate the water’s surface
a glitz of sunlight somersaults
i rake my fingers amongst islands of fern
picking up scaly flakes from a peeled-off season
VI
later i explore a composite entity hunched up crowded
but never alone
the girl lives on music in the blood she
leans against her cello her cello feels for her hands
she steps silently into the circumference of a sound
VII
curative properties indulge themselves
entering furtively i look at
this peristaltic flow of exposure
i look at the moon hooked to a branch
it claims affinity it swings it swivels
& the whole tree lights up a shadow slithers
ripe for the picking it coils around the girl’s arm
nudges at her face paints her lips green
then disappears
into the moon’s mouth shining wet & sipping
VIII
mirrored in images
the sky grips the earth’s back
grips its skin & sinks into a deep blue stillness
hugs multiple streams rocks hills
it contracts & suddenly
arching night colours
reshape the gravitational pull
IX
to know the girl
her body her fingerprints on books on vases
on my everyday living time’s
corrosive features seem tangible enough i touch
the phantom of a picture
the blurred white outline
of a future
the widening soundshell of the universe
it holds a collective calling
the immediacy of her body in mine our youth
walking on mirages of water
X
appropriation speaks of love-taking
of landscape-taking
& a sky full of balloons & what
becomes of them these balloons some are snagged by fissures
in clouds some are dragging their strings
across paddocks & the girl trapped in her own astral orbit
rolls herself in liquid gold
Iain Britton is an Aotearoa New Zealand poet and author of several poetry collections. His work has been nominated for a Forward Prize for Best Single Poem and Best First Collection. Poems have been published or are forthcoming in Harvard Review, Poetry, The New York Times, Wild Court, Blackbox Manifold, The Scores Journal, Stand, Agenda, New Statesman, Poetry Birmingham and Poetry Wales. The Intaglio Poems was published by Hesterglock Press in 2017. A new chapbook, Project Constellation, was launched in London by Sampson Low in 2022.
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