Issue 30: Imogen Cassels
Ambiguous lasting flowers
hard going over rough truck,
eyes widened by sun
and the vacation of a nerve.
blood gleam grease otherwise
happiness. not spare of softness.
or pain’s slow leave, the beauty
that relative beauty earns
or deserves, like a semblance to fletch
and lay as stock—I was then
faithful placable upturned,
weightless as luck the deep flaw
of love is fine for. forget
the journey out. now where
in heaven there will be roses,
for young and sleet
I can slouch backwards
/
some days I intend to withdraw
entirely, the beginning
of a bad idea then habit
hard to lose. a cloud of shower
bleed, and hymn disturbing site,
the pulse of thought and settlement.
our relieved and longawaited
death of the heart, almost
something to do with the air.
“she moved and was still,
“a coolness went out in her eyes
“and she died. the seasons
screwing into the mist
like acceptable gauze. nothing
to be morning. I am so suicidal
with the beautiful world
/
an oil painting looks at a boy
for want of washing
and did not care. I test
the smooth action of my lungs,
and caught a day or so
in the old net of breath.
kettle to know which language
you’re in, or distractions
you tab against answering.
what remained of it
was aberrant, an unpinned
comb against resemblance,
with nothing more to say.
a voice already like the bird
it yelps for, so predestined
it holds its shape like a tear
/
frozen metal to ground.
once who could not look at you
and hope leaves only
the laconic hard drive of form.
what can I say about experience:
my spirit left my body
like a falcon. my words
jostled themselves to be uneven,
without attending to pursuit.
there was no other way
I could have spent that life.
the shadow of a burn so wild
it would uncondition the familiar
measure of any tune. morning
again; relief, carbon, boating
clean through no more songs
/
are you there.
maybe at the coast
of an unbending line,
attending to nothing.
I had thought the reflection
of my body was the body
behind me; a jug, a lung.
the skin comes right off
my heel, I wish it would.
there is a week, then
a week after that. no
worse sailing for a phrase.
I hope something
exquisite happens to you:
a compound fracture,
ordinary sympathy
/
short road to meaning.
for all pacing verbs
the far-cast dream
of a relic, and history
it promised, soothe
and fickle. alternate
lives take a long time
to never work out.
when I sink my calves
in blue ice only
my blood will ruminate.
well who could have
intended the possible
consistency of worth
living: a slim, certain,
cedar-lined hatred
Imogen Cassels is the author of Chesapeake, VOSS, Arcades, and Mother; beautiful things. Her work has featured in the LRB, the TLS, The White Review, The Cambridge Literary Review, and is forthcoming in Poetry Review.
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