Issue 30: Maurice Scully

ON LOCATION

 

Some time around 500 millions years ago

green algae began to move out of shallow

fresh waters onto land, harvesting sunlight,

fastening on rock, mud.  The question was –

scale, that delicate glass bridge in the dark,

packed tight & eating into the vulnerable

underbelly roots gripping disfigured interstice,

sun through glass, steel, porch, ceiling, come

live with me & be my/I wonder how you are?

A page turns. It’s the 16th . Networks of connecting

energies, a plastic bag, a shopping list, strength

of spirit, hunter, farmer, bureaucrat, all of our

little history, ‘going forward’. Which you were

probably saving for breakfast. Streets shimmer

in the heat here & melt along bright house walls,

a rippled stream through the village & tar flows

down the base of streetlight poles, stark blacks

& blinding whites, diagonals, a single thread, foot-

steps moving in the dark, measured in units of

poise. And batten down the hatches. Hit shal be

expedient that a noble mannes sonne in his infancie 

have with hym continually onely such as may accustome

hym by little & little to speak pure & elegant latin.







FROM HERE


Now this crumb

on this plate

now

 

this blueberry

design on its

ceramic

plane 

 

now the

napkin beside it

still

its paper

 

indentations

stopped in

lines in light

now

 

these strange

things teem –

now all that:

 

a single drop

dictating its

little joke

 

several times

in time back

past back

 

O

 

into I then

around it

out again

step facing

 

glimmering

points each

side the bay

in the dark.

 

Mechanical

blasts from

an ice-cream

van’s ad-music

 

crinkle into

open air –

a blackbird

then a white

 

carefully

moving

forward

retreating with

 

great care

brings you

emphatically

now that

 

you’re

old enough

to know

brings you

 

drawing

yr horns

in –

 

gapped

glistening

trail –

 

crumbling

skill sets –

 

to the edge of a new

leaf succulent in

the clay bed.

 

Passion flower’s

toxic leaves

the Zebra Longwing

butterfly can handle

 

harvesting

&

re

configuring

 

the poison

to make its

own sweet body

not so sweet

 

for birds to eat

while the vine

responds in turn

 

producing stipules

that mimic the

insect’s eggs dis-

 

couraging infestation.

On the back

of each leaf

too

 

where each

‘false egg’ is fixed

a nectar-producing

gland

 

attracts

ants & wasps

which attack

 

the Longwing’s 

caterpillars

& so … around

we go

 

this plate

this blueberry design

this morning

in a circular

 

two-step evolving –

however fixed it may seem

to you to be for now

but no – evolving.

 

The fly’s life

is not short

to the fly

 

& it’s

packed

with incident.

 

The bird

is alert

to everything.




Maurice Scully, Irish poet and English teacher, has died in Spain aged 71. Born in Dublin, he published more than a dozen collections, including Love Poems & Others (Raven Arts Press, 1981), 5 Freedoms of Movement (Etruscan Books, Devon 2001), Sonata (Reality Street Editions, 2006), Doing the Same in English (Dedalus Books, 2008), Play Book (Coracle Press, 2019) and Airs (Shearsman Books, 2022), and the long poem Things That Happen (Shearsman Books, 2020), described by Eric Falci, professor of English at the University of California in Berkeley, as “the most ambitious and important long poem in modern Irish literature”.


Copyright © 2023 by Maurice Scully, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author